icelandic techno veteran yagya enjoys a release on x/oz that celebrates both new and old material. the tempo is noticeably ramped up on -one weak light- but never at the expense of that dark and mysterious icelandic hue. -existence is weird- is no slouch either, but yagya shapes out his atmospheres with such a refined touch that you barely notice how quick the tracks are running. -a very long daydream- is a gorgeous ambient track dug out of the archives, while -getting closer to an unknown goal- sees the re-release of a track yagya released as rhythm of snow back in 1999.

this is the return of the collaborative project vofa, by sawf and anfs, on pi electronics. the athens based duo, that put out the label’s debut release, deliver another 4-tracker of their signature sound for the 5th pi record. pi05.1 is a bass line oriented composition of thrilling beauty, while pi05.2 and pi05.4 provide different takes on the main pi05 theme: one leaning closer to uk breaks influences and the other closer to industrial, hard hitting broken beats. pi05.3 offers a driving tool of distorted realities and tuning bass lines. all tracks showcase further focus on sound texture and dynamics balance, providing a perfect blend of sawf and anfs in joint forces as vofa.

piero umiliani writes music for the rai tv documentary produced by gigi martello and lionello torossi for fremantle italiana in 1964 titled “il dono del nilo-, directed by corrado sofia, with whom the florentine musician will collaborate several times for television tuning. originally printed by cam on lp and 7&#8243,,,,,,, “the gift of the nile / arab market “, both very rare and sought after, contain exotic flavors and world-easy listening. these sessions were recorded made in rome in september of 1964 with the orchestra directed by umiliani himself and the participation of singer tawfik yussr. available for the first time since it’s original release, this limited edition vinyl reissue is limited to 700 hand-numbered copies on orange & gold coloured vinyl.

after 2016’s mini-album shady and light, composer and guitarist martyn heyne releases his first full-length record electric intervals on the new 7k! imprint. says heyne: the number of parameters that determine a recording appears to be infinite. the mood, instrument, tuning, mics, room, temperature, time of day, all contribute to sound. the magic, once captured, is impossible to recreate. this might seem a hindrance, but it’s really the whole point of recording for me.’ opener ‘carry’, for example, is a composition carefully developed over months with most of the production happening in front of the microphone. ‘wilde wide’, however, was recorded only once as an early-morning improvisation. having worked with dustin o’halloran on the emmy-winning transparent soundtrack and with clarinettist claudio puntin as part of the duo set aglow, heyne’s sound is one of simplified diversity. on his debut album he controls each melody with the precision of a veteran producer.

the second instalment of kc’s finger printz ep’s has finally been repressed! that’s right, you know how it goes down by now, this is that high-grade, underground, boomin’, house music! every track is a dancefloor shaker, kerri style. if you don’t know what that means it’s simple - swinging, tough drums, killer samples, those basslines and a whole lot of new jersey swagger! this one came out in 1998 and features 4 storming cuts that cover a variety of styles, such is the versatility of kerri’s sound. it’s all here, vocal cuts, dubwise deepness, jazzed out late night jams for the hardcore dancers.... you got it all. absolutely essential business here. one for the hardened kc acolytes and one that will undoubtedly blow the minds of those tuning in for the first time. timeless music.
this is one of a series of official madhouse / kerri chandler reissues for 2017. every title has been remastered by kerri chandler himself, from all original sources and each reissue has been legitimately released in full conjunction with kerri and madhouse records. and, as if that wasn’t enough, all the reissues will be coming in the classic madhouse records house bag. snoozing not advised!

on the latest installment of his remix series, len faki tackles two compositions from aleksi perälä, both of which feature the finnish artist’s renowned musical tuning system, dubbed ‚the colundi sequence’. both edits build on the originals’ deeply hypnotizing synthesizer sequences while adding some extra punch and arrangement tweaks in order to turn them into proper dancefloor weapons. a straight-forward bleep affair, the hardspace mix of gbbvt1337152 underlines its simple yet utterly effective beauty. in contrast, uk74r1409047 is a moody and mystical ride under the night sky, whose enchanted vibe faki carefully retains. as with all releases of lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

quadratschulz delivers his debut album -ww303-. ten tracks make up this vision, a vision of lazers, pulsing neon and gleaming chrome. arcade game memories. curls of acid. electrofunk vocals. synth wave chic. and even some past greats. all are lovingly folded together in this rich and diverse collection. styles are juxtaposed. 303 bars throb and strings soar in the lilting -der rasende roland- whereas -robotic dancer- struts to a future-world funk. quadratschulz sculpts his sound with a wonderfully warm and autumnal quality, as in the cascading synth showers of ferrofluid. yet there are colder moments, the frigid flows of kran sprouting into the chilly house tones of piloten. a tribute to the groundbreaking lfo is also included. bleep festooned chicanery is the offering as ring the bell takes you back to the infamous warehouse parties of 90s britain. and if that weren t enough, the 2lp also comes with downloads for some cracking remixes by dmx krew, andreas gehm, kettel, chris moss acid and posthuman to name but a few. a wide angle view of quadratschulz s unique sound.

the 2nd release on dischi autunno is the 1st album of the magic ray, new project of established artist fred bigo aka electronicat. the album is produced by cosmo vitelli.

ghosts inside stands as ekin fil’s most arresting recordings to date, written during a period of personal despair with an oblique poetry of sadness cascading through the songs. it’s an introspective sound, completely turned in on itself and tuning out the socio-political tumult of her native home in istanbul. in confronting psychic distress, heartache and depression, ekin fil blocks out the rest of the world to concentrate on the immediate issues of human relationships and their many complications. allusions to catharsis flicker through the sullen, narcotized beauty of ghosts inside, updating the mood found on those classic 4ad albums of the 80s (i.e. garlands, it’ll end in tears, lonely is an eyesore, etc.) orbiting the spheres of grouper, lovesliescrushing and stars of the lid.

jonas kopp and tresor have shared a bright and prosperous musical relationship for some years now, propelled further forward with photon belt.

for over ten years, até has been fine-tuning his craft in his studio in antwerp. together with his partner he founded the athea label as an output for his music and his partners visual works. athea releases are limited to 300, hand stamped copies.
title track ‘guardian angel’ is a drum-oriented stomper, with até’s beloved alpha juno all over it. ‘dark days’ conveys images of dystopian winters with endless nights trough deep strings, resonant bass lines and garage infused drums. closing off the ep is ‘deejay d’, a hissy and fragile electronica jam to warm up your broken heart, bringing you comfort and solace in even the darkest of days.

bruno pronsato returns with his first new artist album in 6 years. entitled us drag, it’s the follow-up to 2011’s critically acclaimed lovers do— lauded by pitchfork as a “striking and massive statement,” and decorated with a 4.5/5 rating by resident advisor. the new record, which finds the ex-punk rock drummer exploring dense, interlocking rhythms and unorthodox tuning systems, was recorded in berlin during the second half of 2016, and features a collaboration with liars’ frontman angus andrew. after the vast, complex arrangements of his previous albums, the 9 recordings on us drag are relatively more upfront and direct, with a particular focus on bells, tuned percussion and the sequential circuits six-trak synthesizer (used to create many of the album’s synth parts). pronsato’s ongoing collaboration with yonatan levi continues, with the israeli bassist appearing on the album’s second track

dope archival release of steve rachmads long time side project where he exposes the more funk / electro side of his talents. this is musical machine-head side of the amsterdam electro scene (also purveyed buy the likes of comtron). dense undertones of cybotron/ model 500 on this one. top notch productions from a dutch master. check!

valencias alex font welcomes romanias sepp to acme for the first instalment of mis hermanos rumanos for an intricate split vinyl release limited to 250 copies. acme boss alex font has been producing nuanced house music for over a decade, cultivating a signature style that blends funk, jazz, latin, and techno whilst fine-tuning his skills as a club dj throughout europe for years. meanwhile, uvar and catren founder sepp, who s one of the most influential producers of the new romania minimal-techno scene, has kept equally busy creating and curating quality minimal, including appearances on apotek studio and ada kaleh romania, not to mention an album on uvar. first up, sepps cantecul fusului combines rolling grooves with hypnotic atmospherics before alex font s murph injects a visceral low-end bounce alongside slithering percussion. next, font keeps the reigns with mambo 3, a heady dance-floor number riddled with crunchy drums and a dusty aesthetic before listen to me closes the ep with the eerie phrase just listen to me echoed among crackling ambience for a meditative finishing touch

for organ and brass is comprised of two works by the stockholm-based composer ellen arkbro. both works focus on tuning, intonation and harmonic modulation. in previous projects, arkbro composed for early music ensembles, wrote a series of durational pieces utilising synthetic tones and processed guitars, and, most recently, presented a work lasting 26 days at the stockholm concert hall. for organ and brass looks back to arkbro’s studies in just intonation with la monte young, marian zazeela, and their disciple jung hee choi in new york, as well as with kindred spirit marc sabat in berlin.

taking charge of the first release is lucy, who has evolved his distinct sound signature by reconciling the deeply personal with the esoteric, and by harmonizing the spheres of technology and biology. whether he is acting in the role of producer, dj, performer, or stroboscopic artefacts curator, lucys clear passion for creative evolution and mutation is something that continues to attract new listeners, and keeps giving his current supporters new reasons to continue tuning in. ep opener the hermit is eight minutes of spacious and cerebral techno. rolling drums are buried deep as little flecks of sound design peel off the groove. occasional bell hits bring a sombre and languid feel despite the drive of the drums, and it is the sort of perfectly absorbing track that will suck you down a 5am rabbit hole. on the flip, ‘the high priestess’ is a similarly mental work out that is empty and eerie, with distant drones and yawning pads outlining a vast underground space. the drums here are again rubbery and rolling, but a little more prominent, and the whole thing manages to be both soothing and unsettling. after this fine ep starts the label in style, a remix ep from blawan will follow.

yellow colored vinyl - deluxe gatefold sleeve - limited to 200 copies
this new album is the longest and more ambitious work they had produced to date, including up to 14 new tracks where find their usual eclectic amalgam of dance oriented darky styles, from ebm to synth pop, passing by electro beats, pure coldwave, italo disco or classical synthwave. all tracks has been recorded using only analog synthesizers captured on a external recorder without make use of daw digital conversions, excepting on the final process of digital mastering . all tracks has been mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

julien chaptal & david labeij aka mfd are back for live recorded vinyl number 006. this time they got support from mister san proper. again heavy & funky bassline tracks and a laidback dubbish b-side.

in the last two years, paul régimbeau had put his most personal and earliest musical project mondkopf in stand-by mode. the rich arrangement work that defined his sound wasn’t fitting his desire of simplistic intensity anymore. his different collaborations (autrenoir, violent magic orchestra with vampilla & pete swanson, foudre!, oiseaux-tempêtes) forced him to explore new aspects of playing electronic music like a regular band member. the young producer was experimenting being a musician and embracing the experience. but after a year without composing, things changed on the tragic night of november 13th.
on this very night, the parisian set up machines he had acquired in the last few months and started improvising what became the first song on his new album: “they fall, but you don’t”. since that moment, paul regularly spent nights experimenting and recording what he felt at the time. while previous records reflected months of fine-tuning, these songs represent the mood of one evening, one night, the ones when you surrender yourself to the melancholy of the moment. much like a diary, the album is a compilation of these moments that escape reality in a chaotic and dark year.

der neu-berliner gibt nach seinem phatten tuning spork release nochmal richtig gas !! zeitlos & ultraphatter minimaler detroit * warehouse find *

the white noise backdrop of modern life means that without some fine-tuning on our part, even established and progressive artists can become elusive on occasion. but since musical creativity involves a healthy drive to self-determination, and often a keen collaborative spirit, out of earshot doesn’t necessarily mean out of action.
certainly not in the case of junior boys, who’ve readied a new album, big black coat, via city slang. a strikingly energised and intuitively dynamic set that reconnects them to their techno roots without sacrificing their soulful pop nous or riding a revivalist wave, it’s also shaped by what jeremy greenspan and matt didemus have been doing in the five years since their last release.
the 180 gram vinyl release includes a download code.

2016 repress !! consistent in his output since 2006, london-based alex celler has carved a reputation recording on highly esteemed imprints such as tuning spork, contexterrior, broquade and all inn to name a few. now he turns up the heat for an impressive two-track debut on trelik.

unsere welt ist bestimmt von gegensätzlichkeiten. licht und dunkelheit, gut und böse, heiss und kalt, hart und weich ... man könnte die liste ewig weiterführen und würde zu keinem ende kommen. absztrakkt und cr7z stellen sich der aufgabe einen kreis zu erschaffen, der all das vereint und es in einem gemeinsamen, großen ganzen umfasst. als einheit. sie lassen diese attribute auch manchmal in einem vollkommen anderen licht erscheinen und beleuchten die aspekte der dualität aus verschiedenen winkeln, indem sie sich unter anderem auf ihre tierkreiszeichen berufen. absztrakkt als waage (balance) und cr7z als fische (gegensätze) bewegen sich hier lyrisch in einer sphäre, wie sie so bisher noch nie in rapdeutschland erlebt wurde.
das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. the noise made by people, das broadcast debütalbum aus dem jahr 2000.

dj support so far : ricardo villalobos, sonja moonear, raresh, martinez, sascha dive, thomas melchior, nima gorji, s.a.m., tini, einzelkind, davide squillace & kreon...
concealed sounds warmly welcomes alex celler. the super talented greek producer, based in london since years, need no introduction. after his recent stunning -kammsa ep- on jay haze s newly relaunched contexterrior tuning spork label, he is on better form then ever. for his concealed debut he delivers two strong hypnotic and dark tracks. swirling in clever rhythmical programming and melodic undertones, these tracks will take you into another sonic dimension. on the a side -polhammer- is the more uplifting one while the b side s -erinyes- offers a slightly more dark and atmospheric touch. and as always keep your eyes open for the hidden gem on this 12 inch ….

none of them make music for the twenty-second century. the duo is constantly deconstructing its stylistic boundaries and follows traditions only to destroy them. on stage, signup (anymouse, big zis, grenzgänger) is the master of ceremony, michal ho (tuning spork, nicetry, etc.) is the selector. vocals glide over beats generated in little boxes full of flashing lights, sometimes smooth, sometimes razor-sharp. the debut album *one of them* will be released on nicetry records and comes on double 12 inch vinyl with download code included.

two re-worked tracks from their previous collaboration in 2013 that needed to get released. in 2013 these two friends spent quite sometime in the studio together which cumulated in a three-track release on butanes own imprint alphahouse. during the progression and fine tuning of these three tracks two of them, at one point, got a different interpretation. here they are.

fantastic four track album sampler from jay haze & esb’s forthcoming ‘finding oriya’ album released this november on leftroom. philadelphia-born producer jay haze has carved out quite the career for himself over the past decade, having headed up the successful tuning spork and contexterrior imprints, as well as operating under his fuckpony pseudonym which has seen him unveil material for the likes of get physical, cocoon and bpitch. here we see haze pair up with esb (electric sound broadcast) aka elan benaroch, notably known for his work with canada’s deepen sound, to deliver a long player for the leftroom label. finding oriya is the musical culmination of the journey towards fatherhood for haze, here we see haze & elan explore a variety or ethereal, mind-bending and profound textures to create an intelligent, understated and charming collection. from the electronic beauty of finding oriya, the dropped-tempo nu-disco tinged feel of founded in you, through to the entrancing feel of friday always remembers, ands the mid-tempo magic of cant keep giving in, this eclectic four track sampler is a great introduction to the eagerly anticipated album.

the original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. you can distinctly hear the 80 s like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. the grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere. the remix, done by the widely loved tech-house duo pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. there s an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. all i can conclude is what a tech-house bomb this is from the highly talented pleasurekraft. they always manage to bring something new and unique to every single track they ve ever remixed which truly shows their remarkability as consistently good producers.

our fetishes human halo strikes back with his 3rd ep on our imprint, showing his unique sound crossing techno, house, funk and dance. the pack includes 2 originals with a strong base, melodies and funk attitude. remixes are in charge of outstanding artists david keno (get physical / suara / noir) and michal ho (get physical / tuning spork).

cologne based lone ranger, producer, coffee drinker and occasional bike rider steffen baldo aka ugly drums has been fine tuning the spokes of his career for 10 hard working years. making early marks in the scene with his -next room ep- on german based label polyfon, which received support from moodymann, mcde and cemented his reputation early on. steffen later released dance floor workouts on rush hour, fifty fathoms deep, black key records, quintessential and kolor ltd

franz meersdonk und günther willers aka rdf are back on the road. the speedometer obviously tweaked, turned up and back on track. on the way tramper simon sunset got on board, et voila: made himself comfortable in the back cabin. left a bunch of wood back there. they drove the semi right into the sawmill and took care of the rough pre-cut themselves. cutter lowtec supported the two street heroes with all he’s got, or rather, he actually applied his own cutting-machine-operation. simon sunset’s wood cuttings were molded by a bunch of saws, slicers, and files. and for a final fine-tuning herb lf came running out of the canteen. and lo and behold, the machines spit out three beautifully stable pieces of wood with the finest texture- pattern captured in a stable frame of bark. so good was the material to begin with that nothing was left over for old, stinky bark mulch

recorded whilst battling insomnia during a cold and bleak berlin winter, jack dixons new ep finds him channeling the light and the dark of his home city. inspired by the bygone euphoria of early analogue techno and the harsh industrial landscape outside his window, the three tracks of those questions swirl vinyl crackle, ghostly rave vocals and human heartbeats around pounding jackhammer bass, intense drops and intricate house rhythms. the result is a perfect encapsulation of the curses and blessings of a sleepless hibernation. it is an atmosphere also present in the hazy drones and pulsating sub-bass of skudges exhilarating, analogue remix of heirloom, the revered swedish duo tuning down the filters and reinterpreting the track as a ghostly and paranoid low-end basement banger.

october will see mock & toof release *temporary echoes*, an eclectic collection of remixes from their highly acclaimed albums *tuning echoes* & *temporary happiness*, featuring interpretations from the likes of wolf & lamb, kink & neville watson & dmx krew.
to accompany the album release there are two very limited vinyl samplers. vol. 1 features wolf & lambs amazing remix of *shoeshine boogie* never before released on vinyl, a brand new remix of m&t favourite *day ken died* from norways skatebard, a peak time acid banger from kink & neville watson and a new balearic rendition of *snowball* by young marco (esp institute). proper vibes.
vol. 2 features remixes from the l.i.e.s outfit sling & samo, tiago & call super.

one is formerly the front man of a notorious glaswegian punk band, the other a meticulously precise studio guru with creative flair way beyond the majority. as solo artists they are a formidable force, as a collective they are quite simply one of the most exciting new acts in the uk right now. refusing to rush, they spend countless hours trying ideas, searching for samples, tuning percussion and tweaking sounds. for every mia dora track that sees the light of day, there are 100 that dont. this isnt throwaway club music for the internet generation, it is soulful, thoughtful and emotive music by two producers fuelled by an intrinsic need to give life to the sounds in their heads.

september will see mock & toof release *temporary echoes*, an eclectic collection of remixes from their highly acclaimed albums *tuning echoes* & *temporary happiness*, featuring interpretations from the likes of wolf & lamb, kink & neville watson & dmx krew. to accompany the album release there are two very limited vinyl samplers. vol. 2 sees rising stars sling & samo (l.i.e.s. records) turn in a heavy spaced-out house jam rendition of *farewell to wendo*, portugals tiago (golf channel) go warm, deep & classy on *sleeper* while call supers amazing remix of *the key* also features (never released on vinyl before). dont sleep - no represses! vol. 1 features remixes from wolf & lamb, skatebard, kink & neville watson & young marco.

vicissitude - zu deutsch wandel, wechselhaftigkeit, unbeständigkeit - ist der titel des neuen, dritten albums von maps alias james chapman, das anfang juli auf mute erscheint. schwang im zweitling *tuning the mind* noch der hedonismus des mercury price nominierten erfolgsdebüts *we can create* nach, vermittelt das wunderschöne indie-rock/pop-album *vicissitude* nun die unmittelbare konfrontation chapmans mit der realität: *writing and recording coincided with quite a lot of things in my life changing. although things are good for me now, every song on the record comes from a long period of me having to take stock, to start again almost. i took myself out of everything and had a hard look at what i wanted to do and where i wanted to take maps.* den letzten feinschliff der platte übernahmen produzent und sound engineer ken thomas (sugarcubes, m83, sigur ros), der zuletzt auch an *we can create* mitarbeitete, und sein sohn joylon, der schon als programmierer und produzent für bands wie s.c.u.m. und telepathe aktiv war.

special nice price deal!
- slightly harder sound this time out, with a deep and dark tech house vibe rich with ominous synths and engaging effects that subtly build and build. flip for an even more techno slanted sound with manic synths, and detroit flavored rhythms that burst into an energized tech house finish. these guys are definitely fine tuning their sound

shift, a new vinyl only label from italy are back, this time with a super limited run of only 250 copies. the labels second release arrives courtesy of rising italian producer fabio della torre, the owner of florences bosconi records and a man who has produced for label such as telegraph, oslo and tuning spork. the package comes armed with a remix from nyc producer dj spider, the owner of plan b. vinyl only, no digital, no compromise!

with a background as a promoter, dj, and producer going back to 1995, sammy goossens is a veteran par excellence in todays techno scene. starting off with production work on respected techno imprints like rotation, re-load, tresor, and r&s, he has spent time co-producing for legends like the suburban knight and managing jay haze’s contexterrior and tuning spork labels. alongside friend marcus vector, they started the toys for boys imprint in 2004 and put out a prolific string of releases from top minimal house names like quenum and jona while pushing forward their own careers as producers. now based in berlin and as active as ever, sierra sam honors caduceus records for our fourth release, featuring remixes from jacob korn, oliver deutschmann, and label head lad.

editorial return with another seriously good ep all bases covered from funk / disco / 80s & downtempo grooves

the 2013 album from kraftwerk member karl bartos back on vinyl.

ce returns with the next instalment of the world electronix series. this ep focuses on 4 moody acid lead electro tracks perfect for dark basements and warehouses. once again this ep will be strictly limited to one vinyl run with no repress! first up ce is proud to welcome the exaltics (bunker, solar one, creme, abstract forms) to label with a hard piercing track not for the feint hearted. next up ce label head sync 24 delivers a signature style hypnotic groove for dance floor. the flip side sees sync 24 and abstract forms label head deixis team up for there second release. this time tuning in an acidic kick drum heavy roller. finally the ep is rounded off by crc aka michael deikmann who is no stranger to ce as one half of electro duo morphology.

dan le sac releases his debut solo album >space between the words< on sunday best recordings. written, produced and with vocals from dan himself, the album features collaborations with emmy the great, merz, sarah williams white, b dolan, joshua idehen and pete hefferan.
heavyweight double 12 inch release, including code for free mp3 download of the full album included.

back and cooking up more funk and flavor with his second album for rekids, mr g proves hes still the king of rhythm with state of flux. packing more history than most of the top current producers put together, mr g has been fine-tuning his breed of music for two decades. described by the man himself as its all about a bassline, his music takes the formula of a ballad and the movement of reggae.

word on the street is sleazy and we continue fine-tuning our ears, delivering the most current and upfront cuts for you, the discerning dj. here we present a special limited transparent blue vinyl release from max belobrov, a young russian sporting his moog and a serious passion for music. his sound swings between deep house and techno fusing nu school disco elements and beats… we knew we were onto something with max when radio 1s essential mix aired with maceo plex stepping up and playing maxs title track >magic walk<.

this is the first vinyl release for standard fair. its excellent tech house! and its deep, at the same time!
standard fair was born in 1980 in sapporo, japan, and played the bass in a punk band until he was 20. he is very influenced by various genres of music but now he produces sophisticated deep house. after some excellent releases on resopal and little helpers he returns on joyfull with some great dance tracks.
ep includes 2 remixes produced by someone else (the philadelphia based dj and producer, co-founder of the tuning spork and fuzzy box record labels and owner of little helpers) and aldo cadiz (one of the leading producers of electronic underground in chile and one of the most respected djs in south america).

its fair to say that sammy gossens aka sierra sam is one of the rare and victorious butterflies of the electronic world. over the last 15 years not only has sierra sam released his own works on esteemed imprints such as supplement facts, time has changed, einmaleins musik and many more, but his impeccable engineering skills are in demand worldwide, co-producing with artists such as bloody mary for dame music and surburban knight for ur and peacefrog. not enough to suffice his creative torrent, sierra sam runs the highly successful toys for boys imprint alongside marcus vector and was label manager for jay haze’s tuning spork and contexterrior labels.